House Vinyl New Releases

Label boss Alessio Collina is finally here with his first E.P on the limited series! “Shades of me E.P” is one of the most personal work he ever made until now because it touches different styles of House, rooted always from the same school. We start from the A side where we find “Bloom in the garage” as first track: Old-school groove, fat bassline, dirty drums and some Garage stabs with the hot swing by MPC1000. The second track is “Back to the real”: a sexy, mental Deep/Tribal tune which can be fit in a warm up set or during an intimate Afterhour. In the B side we have “Spring Equinox”, a Techy roller with an absolute killer bassline, some dreamy melodies and a dynamic stab: dancefloor weapon. We close the record with “The Party” on the B2, which sounds like an old dark Chicago House record but revisited in an alternative way.

DC Salas doesn’t do things by halves. Fresh off a June release on Enrica Falqui’s Plexus4, the Brussels-based producer wastes no time returning to his own Higher Hopes imprint and he’s brought a party with him.

Fiesta EP is a four-tracker with a split personality and zero apologies for it. The A-side is all business: Darkest Dream, already doing damage in Roza Terenzi’s sets and Consciousness lock in deep, hypnotic, and faster paced. Then the B-side happens. Fiesta Fiesta and Lost In My Memories raid the wreckage of new beat, proto-whatever and early 2000s electrohouse like they own the place. Fiesta Fiesta also marks fifteen years of DC Salas making music, celebrated, naturally, by vocodering his own voice and singing in Spanish.

HIGH005 follows Pixelated Dream Theory, which pulled support from DJ Masda, Ivan Smagghe, Evan Baggs, Enrica Falqui, Binh and many more. Back on home turf, no features, no compromises. Just DC Salas, in full.

Collecting Orders For 2026 Repress

Satoshi Tomiie Unveils His Latest Ep, '12b Dub', Exclusively on Phonogramme Records Tokyo &Ndash; Renowned Dj and Producer Satoshi Tomiie Is Back With a Captivating New Ep, '12b Dub', Set to Make Waves in the Electronic Music Scene. This Four-Track Release Marks a Slight Shift Towards a More House-Oriented Sound, Showcasing Tomiie's Versatility and Innovative Approach to Music Production. Having Garnered Acclaim for His Previous Releases and Collaborations, Tomiie Continues to Push Boundaries With '12b-Dub', Solidifying His Reputation as a Trailblazer in the Electronic Music Industry. This Latest Offering on Phonogramme Records Is Sure to Be a Staple in Dj Sets and Playlists Worldwide....

High Altitude 002 brings together three rising forces from three different corners of the world. Stckman, Simone Rossari, and Goosebumps represent a new generation of producers with a shared futuristic vision and a highly distinctive musical identity.

The EP features three forward-thinking tracks, each shaped by the unique taste and cultural background of its creator, yet unified by a powerful, modern sound aesthetic. From deep afterhours mornings to the most crucial peak-time moments of the night, High Altitude 002 is designed to fit seamlessly into any part of a DJ set.

A global collaboration, a futuristic attitude, and a fresh perspective on underground dance music — this is High Altitude 002.

Satoshi Tomiie Is Back on Phonogramme With "12b-Dub Pt. 2," the Second Volume of the Acclaimed Ep Series by Legendary Producer Satoshi Tomiie. This 4-Track Ep Continues to Explore Tomiie's Deep and Innovative Soundscapes, Making It an Essential Addition to Any Electronic Music Collection. Available on a Limited Edition Marbled 12'' Vinyl, "12b-Dub Pt. 2" Promises to Deliver a Unique Auditory Experience With Its Rich Textures and Masterful Production. Don't Miss Out on This Exclusive Release From Phonogramme, Showcasing Satoshi Tomiie's Enduring Influence in the World of Electronic Music....

Following the success of their debut release, the Dig This boys return with another statement-making record. If the first EP is anything to go by, this is not one to sleep on.

Brennan is no stranger to the scene, having enjoyed an incredible breakthrough year marked by several releases that have caught the attention of some of the industry’s biggest names.

This cohesive house record explores a range of flavours, equally suited to an intimate club or a festival dance floor. Brennan’s signature sound runs throughout, while revealing a softer side of the house music spectrum less seen by him before.

The A-side is driven by tribal drums, weighty sub-bass and summery chords with Brennans signature style sprinkled on top. On the flip side, the record moves into dreamier, deeper territory, drawing on the classic elements of deep house we all know and love—bringing the five-track release to a fitting close.

Sweep returns with its second release, bringing together Jigit co-head O.Bee and Unreleased boss Cem G. ‘Makes Me Feel’ is the first music to see the light from a long-standing friendship and collaboration shaped between their two homes, New York and Istanbul, and comes backed with a stirring remix from Giegling’s Edward.

O.Bee and Cem G bring forward a sound rooted in Istanbul’s music culture, developed through ReSolute’s warehouse parties on the outskirts of Brooklyn and refined at Berlin’s Club der Visionaere. It’s music that feels equally at home in all three settings. Dyed Soundorom’s Sweep is built around underground sounds with depth and groove — much like his own DJ sets — and this second release sits naturally within that world.

On side A, the original mix of ‘Makes Me Feel’ rolls out with a sturdy groove from the start. O.Bee and Cem G build the energy carefully, peppering the ethereal atmosphere with a repeated vocal clip as the tension grows. A variety of percussive layers and pads add depth, keeping you locked in. Halfway through, the vocal goes into full flow — scattered words bounce around like a jumbled poem, evolving into a call and response of dissipating voices on top of the rolling bass, fully hypnotizing. Underground music par excellence.

The flip features a rework from one of Giegling’s central figures, Edward, who adds a tougher edge to the original. Still operating in the deeper end of the spectrum, the remix plucks out the ‘Make me feel’ part of the vocal and uses it throughout. Dark, brooding and enchanting, Edward’s reinterpretation progressively adds more layers, increasing the dynamism while bringing further nuance to the atmosphere. A real treat for Edward fans…

If you caught Dyed Soundorom playing anywhere, you surely would have heard these cuts in the mix. Perfect dancefloor groovers… Now they’ve finally arrived on Sweep — c'est l'heure de la fête!

Out soon. EMBILTD013 - Daniele Casa/ Carmine - Frankfurt Affairs Vol 14 (12")

Both artists delivered here 4 functional minimal house cuts - not to be missed!

Fourth volume in Dave Huismans' beloved ex_libris series - a tightly focused suite of slowly unfolding, percussive midtempo mosaics. Bare-bones with maximal dynamics, the narratives are driven by rhythm this time. A diversion of sorts, yet very much from the same environment as previous volumes. Alive as ever.

handstamped copies designed by Bernie van Vlijmen
mastered & cut by Anne Taegert @ Dubplates & Mastering

Moulton Music returns with House of Moulton Vol. 2, a four-track vinyl sampler featuring music from N.W.N., Homero Espinosa, Allen Craig, Nathan G, and Tobirus Mozelle.

Side A opens with Play With My... by N.W.N., a deep underground gem originally released on Bagira Ice Limited in 2018. After discovering the track last year, Homero Espinosa knew it deserved a vinyl release and reached out to N.W.N. to make it happen. Alongside the original, Homero delivers an exclusive remix that builds on the groove, adding his signature jazz-infused touch while staying true to the spirit of the record.

On Side B, Moulton digs into the vaults with two dancefloor favorites. Never Alone featuring Tobirus Mozelle gets the Nathan G treatment, delivering deep house at its finest with warm chords, soulful vocals, and timeless groove. Closing the sampler is Legbleep by Allen Craig, a deep, moody, techno-infused roller that perfectly rounds out the sampler.

Available now at your favorite record store.

Collecting pre-orders for a limited time only

Canny Records is here! The first release comes from label owner Swin, setting the tone with four deep and dubby house cuts.

New remix series from the Veteran New York City producer / DJ / keyboardist Scott Wozniak.

2 Killer remixes of well-known artists given a new house music twist for the floors, evoking the golden era of The DFA (Darryl James, Fred McFarlane and Allen George) remixes on Fall Out Records in early to mid 00’s.

Limited Stock act fast!

The long awaited return of NOVUM is finally here!

Packed with three stripped back heavy weight house cuts from the spanglecore man himself, Mella Dee whilst the NorthSouth Records head honcho Harry McCanna takes you on a hypnotic trip with rendition of Hidden Frequencies on the B side.

All tracks have been tried and tested around the world by the industries finiest

Big Energy inside!

Don't sleep on this one!

“Not all those who wander are lost.”
— J. R. R. Tolkien

By 2005, the Rob & Si partnership had found its stride. Working from Online Studios in Croydon, South London, Rob Pearson and Simon Copleston (Iteration X) continued to refine their unmistakable take on underground Tech House, combining deep rolling grooves with crisp percussion and slick production skills.

Originally released as EVA015, Just Add Water was pressed as a limited white label release during a period of distributor changes, meaning it never received a full release at the time. As a result, original copies have become highly sought after by collectors over the years, regularly changing hands for premium prices whenever they surface on the second-hand market.

The EP features the unmistakable Original Mix, alongside an alternative interpretation from each producer, with the Iteration X Remix and Rob Pearson Remix offering their own distinctive twists while staying true to the stripped-back, rolling sound that defined the era.

More than twenty years on, Just Add Water remains one of the hidden gems from the early Evasive catalogue and a snapshot of London's underground Tech House movement at its most authentic.

A mixed bag for your party pleasure, served up by San Francisco-based talent Natebytheway

Ashley Beedle’s remix of "Unmask Me" by MAMA is a masterpiece of deep, atmospheric house music. Characterized by shimmering chords and shuffling percussion, Beedle transforms the original into a sunlit, Balearic-tinged gem. It famously became a signature track for the late DJ Andrew Weatherall, he notoriously played and closed his set with it at his Convenanza Festival in September 2017. Where a now trended meme video of The Guvnor vibing to the gem, whist the crowd was in absolute euphoria to the magic being made.

Now released on purple vinyl, with all profits donated to our friend Mr Beedle and his ongoing care.

You need this in your life.

Man of the moment Tino makes a big splash landing on M.A.D Records.

Fun, playful and deadly this EP has it all and without a doubt our most requested ID’s every time we play. A 4 tracker of tried and tested weapons already picking up huge support from the likes of Eris Drew, Dr Banana and Moxie.

Inner Lakes returns to Earth Dog with Muerte Deluxe, a heady twilight of no-nonsense lunar tek from the clubland shadows.

The Milanese psy-maestro commands the floor in a manner few can resist. A slew of in-demand transmissions for his own Lagunas imprint, Kalahari Oyster Cult and Francesco Del Garda’s Timeless label champion his command on the nocturne dance. The 2025 EP Bongdrift for djfix and Jek’s Earth Dog stable furthered this agenda, and now he seeks a second bite with follow up Muerte Deluxe.

Opener Control maneuvers the night with an acidic bite, its pulsating bassline and psychedelic groove synergised for the peak. The title track aligns ruder, a cheeky stomp igniting the low-slung rhythm with ragga-fuelled fervour. OneWayExit tracks on the infinite with unrelenting delirium in kinetic hypnosis, before R3vision rolls out on the finale; its moon-lit reflections on memories and reality tempering the discordant groove towards its melancholic conclusion.

Deep frequencies beamed out from Brixton’s front line. Four highly sought-after cuts from Grant Dell’s back catalogue that need little introduction now gathered onto a single 12”. The record highlights the infectious and rolling house groove Grant became synonymous with in the early 2000s which is as relevant today as it was then.

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Recorded between 2002 and 2005 the record features ’So Good’ originally released on Jay Tripwire’s Spaced Out and ‘Acid Bubble Baby’ ft. DJ Deano on Stupendous. The other side see’s a reissue of Grant’s Chicago Transit Authority alias with ‘Still Disillusioned’ and also ‘Be Good Tonight’ originally released on his own label, Cove Records.

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Written and produced between 2002-2005 by Grant Dell except A2 featuring DJ Deano.
Remastered by Justin Drake
Pressed by Vinyl Presents
Distributed by Palace Vinyl

RCRWAX001 brings three no frills dubby tech house chonkers and one electro leaning tech house peak timer from Manchester based j:me.

Vinyl only.

Satoshi Tomiie & Dopeus drop ‘Gaien 2am' – late-night frequencies for deep heads. Vibes roll heavy from 2am to Sunrise, pure Tokyo-Paris connect. Strictly limited wax. Don't sleep.

We are heartbroken to announce this very special release — a tribute to the genius of Keith McIvor aka JD Twitch (Optimo), who sadly left us on September 19, 2025. Over 20 years ago, when Skylax had no money and was just starting out, Keith was among the very first to believe in us. He delivered four unforgettable remixes of Denise Motto – I M N X T C, sharp, uncompromising cuts that defined the true spirit of underground dance music. At the time, due to limited means, only one made it to vinyl. Now, for the first time, we are proud to present the complete set: four remixes — the unreleased acid mix, blackrabbit whorehouse mix, industrial mix, and alternative mix , all cut loud and mastered with love. This release is more than a record; it is a homage to Twitch, a true pioneer and tastemaker, our generation’s John Peel. His art of digging, his fearless intelligence in music choices, his no-compromise vision — all of it stands in stark contrast to the disposable culture of today’s Instagram DJs. What we celebrate here is the real thing: edgy, sharp, timeless. A piece of history, pressed in vinyl forever. Featuring a stunning artwork by H5 (Daft Punk, Air, Logorama), specially designed to pay homage to the legend. Ultra-limited, no repress.

Collecting orders for a repress.

By 2005, Drugsex Recordings had firmly established its own identity within the Tech House scene, providing a platform for deeper, sounds for the heads and also could further push the peak-time cuts for the era. For the label's fourth release, founder Rob Pearson teamed up with Chris Pascoe. Pascoe’s distinctive style had already earned him recognition through a string of acclaimed underground releases and Rob & Chris kept meeting through the underground party scene so friendship and collaboration were a natural step.

The collaboration resulted in One More Time, a beautifully balanced meeting of two production styles. Combining Pearson's trademark rolling grooves with Pascoe's musicality and deep, understated funk, the track perfectly captures the stripped-back sound that defined the best of mid-2000s UK Tech House.

On the flip, Rob Pearson takes centre stage with the solo production Shadow Maker. Deep, hypnotic and effortlessly understated, the track showcases the signature South London sound that became synonymous with both Evasive and Drugsex Recordings—tight percussion, warm analogue textures and an irresistible groove built for long nights on discerning dancefloors.

2025 repress

Repressing of Larry Heard's return into the spotlight with another classic release after all those years! A fantastic 12 presenting the gifted Memphis based vocalist Mr. White (aka Chad White). 'You Rock Me' is a soulful affair, created to be timeless, while 'The Sun Can't Compare' is a fun play with vocals over a typical Larry Heard acid track. Must have for all fans of good house music!!

Finally a repress of one of the most selling club records of the late 90s and early 00s! Timeless 12 minute long Nalin & Kane remix. Number one of the German Dance Charts. Supported by Joris Voorn, M.I.K.E. Push, Paul Oakenfold, John Digweed, Dave Angel, Umek, Mark Knight, Paul Thomas and many more.

2026 repress :)

The long-awaited repress of "Baby EP" - Ricardo Villalobos's first solo single on raum...musik under the Villalobos moniker - is finally here. Featuring two tonally and energetically distinct cuts of dancefloor minimalism that are undoubtedly Ricardo. "Baby EP" sounds as cutting-edge as when it was initially released 12 years ago.

From the slightly euphoric and light-hearted atmosphere of 'hansup' (A) to the emotionally charged groove of 'Baby' (B), "Baby EP" travels through a world of intricately layered micro/macro percussions, eloquently programmed synths, and Ricardo's own vocals spread across the frequency spectrum - an added human touch to his usual machine funk. And while rhythm seems to be at centre stage here, in usual Villalobos fashion, both tracks resolve into pure jazzy melancholy. After dragging the listener into a world of (very) human feelings so uncommon in electronic dance music, "Baby EP" makes it very clear you are listening to Villalobos.

!ITALO-DISCO CLASSIC! ORIGINAL RELEASE 1983 !

we announce the official repress of MAURICE MCGEE do i do on FULLTIME PRODUCTION

Bosconi Records reissues one of its most sought-after releases: BOSCO004 by the British duo 100Hz (Lee Renacre & James Chapman), a three-track EP seamlessly blending Robert Hood-style minimal Detroit techno with dubstep/techno crossover influences.

At the heart of the record is “The Field”, a rediscovered DJ-favorite driven by a deep, trippy groove and the magnetic vocals of Patrick Stanley (AKA “The Voice”), accompanied by the sleek, suspenseful atmospheric vibe of “Tension”. Rounding out the EP is “Cinqo”, a timeless 137 BPM avant-garde smasher originally released in 1995 on Format Records that bridges the gap between Benga, Tobias, and Marcel Dettmann.

2026 Repress

Life is like a mirror ball! The first one in a hopefully long-lived series of disco and pop influenced Super Sound Singles on Running Back, comes courtesy of the unmistakeable Gibson Brothers. Leaving their biggest wedding hits "Cuba" and "Que Sera Mi Vida" to the side, the philanthropic and smile-forcing "Ooh, What A Life" gets an extended edit service by Shan & Gerd Janson, who cut away some of the fat and make it fit for fun on contemporary dance-floors. The flip side sees them remixing and sandpapering "Heaven" into a disco-house interbred (filters and looping mandatory). To quote John Lyndon: "Disco sucks You never heard that from me."

black vinyl edition !

repress !

transparent-blue vinyl 12' (500 copies hand-numbered)

Collecting orders for 2026 Repress

A year or two back, original Nottingham deep house don Gavin Belton (famed for being part of Smokescreen and Drop Music-adjacent duo The Littlemen) returned to the UK after living in New Zealand. One thing led to another and soon he was back in the studio alongside former creative partner Steve Lee for the first time in 15 years. Featuring heady spoken word vocals from Hector Moralez, the result is 'House For Change', a lightly electrofunk-fired slab of classic East Midlands deep house. Raising funds for homeless charity Help The Framework, this surprise EP also includes 2004 classic 'Tell Me' (a free party deep house classic) and two fresh reworks: a TB-303-bass-driven revision of 'House For Change' by their old pals Inland Knights, and a squelchy, spacey take on 'Tell Me' by Lee under his solo alias, Positive Divide.

This is somehting Kano's and die-hard italo-disco fans will definitely
appreciate. Kano's "Anothern Life" is finally remastered and repressed on limited-edition white vinyl for the first time since 1983 and out on FullTime Production.

This LP consecrated the fascination of italo-disco, which merged disco, funk and synth pop.

This is demonstrated by a song like "I Need Love", where we immediately recognize the classic elements of synth pop (thus merged with the rhythm and the funk voice of the charismatic voice of Glen White. So "Mad In Love" and "Dance School", where you can already recognize all the grooves that will one day be other followers who have taken, to recall the name, a direct lesson from this "school". Kano surely influenced a whole genre of new European dance acts.

"Another Life", a single now immortal for lovers of the genre, certainly
felt the influence of another genre, known as space disco, a short Eurodisco vein. So "Ikeya Seki", which is not a tribute to the East
like the later China Star (typical of the aesthetics of many bands of
this early 80's), but a very suggestive instrumental piece whose name
derives from a comet discovered by two astronomers Japanese in 1965, Seky and Ikeya in fact. This, is the sound that is also found in the 8-bit soundtracks of arcade videogames, in those contained in Commodore floppies, and it is the music that everyone would have liked to sweat every day.

Out on October 7th!